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Jose Antonio De La Loma's first Quinqui movie that expanded several sequelsimitations and rip-offs ma-cortes 30 May A classic filmfirst of seriesthat belongs to the violent as well as realistic Quinqui Subgenre with the usual ingredients : dramadelinquencyexploitation and lots of violence. Andthenhe is imprisoned at a youthful penitentiary run by Padre Ignacio Xabier Elorriaga. Torete escapes and he again goes on his criminal career. After thatTorete seeks vengeance and he will stop at nothing to get it. At the end it takes place a disturbing denouement with fateful consequences. Including some very crude as well as distasteful images as when there take place an attempt rapewhen Torete is abductedmistreated and mutilated and showing brutalexploitative rape frames.
El Cojo provides the two friends with drugs that they begin to sell.
Paco's father is stunned. When Pilar yells out, Urko kills her too.
Now there is no evidence that can be used against Paco. He wishes that Paco would follow a military career, and as a gift for his son's eighteenth birthday, Torrecuadrada takes him to a bordello, but Paco arranges to be with Betty so the two lovers can keep the money for themselves. Paco returns home fr be with his Loam in her final moments. Passing of time hasn't had mercy with most of those moviesbut they represented a time and a way of life in the history of Spain ; and now they may seem a little bit naive.
In this way, he comes to interrogate El Cojo and his wife.
Drugsdelinquency, and generational problems are the habitual subjects in these films and specially dedicated to the underworld of heroin and a very realistic look at drug addiction. Paco's father takes him to Piico deserted road by the sea and asks him to give him the stolen gun and the drugs, throwing them away into the ocean.
El Cojo is with his wife and their baby son. Plot[ edit ] Paco and Ofr, two teenagers living in Bilbao in Spain, become best friends while attending the same academy. Urko tells them that he thinks Paco might be hiding with Mikel.
Was this review helpful? The two friends rekindle their friendship Sewrching go back to visit Betty, who is still hooked on heroin. After Searchnig funeral, Paco, completely free from drugs, decides to stay with his father and two younger sisters. Regular photography with juicy atmosphere by Francisco Sanchezbut unfortunately turns too much murky in some video printbeing necessary a perfect remastering.
Mikel offers him shelter on condition that Paco stops using heavy drugs.
To get the heroine they crave, Paco and Urko go to visit El Cojo. Jose Antonio De La Loma chose young and natural actors as Angel Fernandez Franco who had a natural talent to playhe performed his part to the hiltunafraid of filmmaker's unsympathetic camera and the particularity of the character. When assaulted, he opposes with violent resistance, and during the confrontation, Urko shoots him in the head. Confronted by his father about the disappearance of the medicines and the bloody marks on his arm, Paco confesses that he is a heroin addict.
Evaristo Torrecuadrada is concerned about his wife, who is stricken with terminal ovarian cancer. Paco and Urko go to Betty's place, where Urko overdoses on the stolen heroin and dies. However, Paco's life soon spirals out of control. They come from different backgrounds. When Commander Torrecuadrada finally meets Mikel, he asks him to tell Paco that his mother is dying and that she wishes to see him. Torete escapes and he again goes on his criminal career. Including some very crude as well as distasteful images as when there take place an attempt rapewhen Torete is abductedmistreated and mutilated and showing brutalexploitative rape frames.
The style is pretty much urban and realistic as well in the atmosphere as in the fresh dialog and attempted to take a position in favor of the outcast people.
Although Paco is heterosexual, he has had sex with Mikel in the past. Paco has two younger sisters; his mother, Eulalia, is a traditional housewife; while his father, Evaristo Jn, is a Civil Guard Commander who holds right-wing views.
Soon Paco looks for Urko, who also has recovered from his addiction. In order to have the means to support their drug addiction, Betty puts them in contact with 'El Cojo', a drug dealer living in Barakaldo with his pregnant wife Pilar, who is also a heroin addict. Atmospheric musical score includingRumbasordinary disco-music of the 70sadding usual scenarios and atmospheres of the sixties.
In his youthful De La Loma worked as a teacher in the Chinese barrio of Barcelona and he lived poorness and isolation. At the end it takes place a disturbing denouement with fateful consequences. After having sex with her, they can't resist the temptation and begin to use drugs once Sfarching. Jose Antonio De La Loma's first Quinqui movie that expanded several sequelsimitations and rip-offs ma-cortes 30 May A classic filmfirst of seriesthat belongs to the violent as well as realistic Quinqui Subgenre with the usual ingredients : dramadelinquencyexploitation and lots of violence.
His heavy drug use le him to steal the opioids needed by his mother to relieve her pain. These films were notorious in the years of the Spanish transition to democracy including provoking and polemic issues and played by unknown young Llma.
Unbeknown to their families, Paco and Urko are drug addicts. De La Lomahad a long career including titles as writer and filmmaker.
They hang out with Betty, a young Argentinian prostitute, who sleeps with both of them. Director Juan Antonio De La Loma who hired true delinquents who used their own slangand giving great realism. Andthenhe is imprisoned at a youthful penitentiary run by Padre Ignacio Xabier Elorriaga. Meanwhile, Paco's father wants to investigate who provided his son with drugs, while trying to locate Paco's whereabouts.
Paco then goes into a painful withdrawal process. After thatTorete seeks vengeance and he will stop at nothing to get it. While returning home from buying medicines for his mother, Paco becomes a hero when he saves his father from an assassination attempt. Father and son have an argument, and Paco flees the house. Paco also hangs out in secret with Mikel Orbea, a homosexual sculptor, who tries to warn him against the danger of using heavy drugs. Their plan is to rob him and take the money and drugs from him with the help of a gun Paco has stolen from his father.
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